King Bruce and the Spider : ā§°āϜāĻž āĻŦā§ā§°ā§āϚ āφ⧰⧁ āĻŽāϕ⧰āĻž : 1






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Metaphor and Simile


The spider’s climbing is compared to King Bruce’s own struggles. Just as the spider repeatedly attempts to reach its web, Bruce is trying to achieve a great deed for his people. This poetic device is called metaphor. It strengthens the poem’s message about perseverance - keep trying till we succeed. (āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āĻ“āĻĒā§°āϞ⧈ āωāĻ āĻž āĻ•āĻžā§°ā§āϝāĻ• ā§°āϜāĻž āĻŦā§ā§°ā§āϚ⧰ āύāĻŋāϜ⧰ āϏāĻ‚āĻ—ā§ā§°āĻžāĻŽā§° āϏ⧈āϤ⧇ āϤ⧁āϞāύāĻž āϕ⧰āĻž āĻšā§ˆāϛ⧇āĨ¤ āϝ⧇āύ⧇āĻ•ā§ˆ āĻŽāϕ⧰āĻžāĻŸā§‹ā§ąā§‡ āĻŦāĻžā§°ā§‡ āĻŦāĻžā§°ā§‡ āύāĻŋāϜ⧰ āϜāĻžāϞāϞ⧈ āωāĻ āĻŋāĻŦāϞ⧈ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰⧇, āϤ⧇āύ⧇āĻ•ā§ˆāϝāĻŧ⧇ ā§°āϜāĻž āĻŦā§ā§°ā§āĻšā§‡āĻ“ āύāĻŋāϜ⧰ āϜāύāĻ—āĻŖā§° āĻŦāĻžāĻŦ⧇ āĻāϟāĻž āĻŽāĻšāĻžāύ āĻ•āĻžāĻŽ āϕ⧰āĻŋāĻŦāϞ⧈ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋ āφāϛ⧇āĨ¤ āĻāχ āĻ•āĻžāĻŦā§āϝāĻŋāĻ• āĻ…āϞāĻ‚āĻ•āĻžā§°āĻ• Metaphor (ā§°ā§‚āĻĒāĻ•) āĻŦ⧁āϞāĻŋ āĻ•ā§‹ā§ąāĻž āĻšāϝāĻŧāĨ¤ āχ āĻ•āĻŦāĻŋāϤāĻžāĻŸā§‹ā§° āĻŽā§‚āϞ āĻŦāĻžā§°ā§āϤāĻž—āϏāĻĢāϞ āύ⧋āĻšā§‹ā§ąāĻžāϞ⧈āϕ⧇ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋ āĻĨāĻžāĻ•āĻŋāĻŦ āϞāĻžāϗ⧇—āĻ…āϧāĻŋāĻ• āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āϕ⧰⧇āĨ¤)


A metaphor is a figure of speech that involves an implied comparison between two unlike things without using 'like', 'as', or 'as...as'. It suggests that one thing is another, highlighting similarities between them to add deeper meaning or understanding. (Metaphor (ā§°ā§‚āĻĒāĻ•) āĻšā§ˆāϛ⧇ āĻāύ⧇ āĻāϟāĻž āĻ…āϞāĻ‚āĻ•āĻžā§°, āϝ'āϤ 'like', 'as' āĻŦāĻž 'as...as' āĻļāĻŦā§āĻĻ āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āύāϕ⧰āĻžāĻ•ā§ˆ āĻĻ⧁āϟāĻž āĻ­āĻŋāĻ¨ā§āύ āĻŦāĻ¸ā§āϤ⧁⧰ āĻŽāĻžāϜāϤ āϤ⧁āϞāύāĻž āϕ⧰āĻž āĻšāϝāĻŧāĨ¤ āχāϝāĻŧāĻžāϤ āĻāϟāĻž āĻŦāĻ¸ā§āϤ⧁āĻ• āφāύ āĻāϟāĻž āĻŦāĻ¸ā§āϤ⧁ āĻŦ⧁āϞāĻŋ āĻ•ā§‹ā§ąāĻž āĻšāϝāĻŧ, āϝāĻžāϤ⧇ āĻĻ⧁āϝāĻŧā§‹āϟāĻžā§° āĻŽāĻžāϜ⧰ āϏāĻžāĻĻ⧃āĻļā§āϝ āĻĒā§ā§°āĻ•āĻžāĻļ āĻĒāĻžāϝāĻŧ āφ⧰⧁ āĻ—āϭ⧀⧰ āĻ…ā§°ā§āĻĨ āĻŦ⧁āϜāĻžāϝāĻŧāĨ¤)


Read the following sentences and identify metaphors and similes.Write M for Metaphor and S for Simile. (āϤāϞ⧰ āĻŦāĻžāĻ•ā§āϝāĻŦā§‹ā§° āĻĒāĻĸāĻŧāĻŋ Metaphor (M) āφ⧰⧁ Simile (S) āϚāĻŋāύāĻžāĻ•ā§āϤ āϕ⧰āĻžāĨ¤)


Ans: 

Rule:



  • Simile (S) = uses "like", "as", or "as...as" [āωāĻĒāĻŽāĻž (S) = "like", "as", āĻŦāĻž "as...as" āĻļāĻŦā§āĻĻ āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āϕ⧰⧇āĨ¤]

  • Metaphor (M) = does NOT use "like" or "as". It directly says one thing is another [ā§°ā§‚āĻĒāĻ• (M) = "like" āĻŦāĻž "as" āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āύāϕ⧰⧇āĨ¤ āĻāϟāĻž āĻŦāĻ¸ā§āϤ⧁āĻ• āφāύ āĻāϟāĻž āĻŦāĻ¸ā§āϤ⧁ āĻŦ⧁āϞāĻŋ āϏ⧋āϜāĻžāĻ•ā§ˆ āĻ•āϝāĻŧāĨ¤]


(i) He ran as fast as a cheetah. (āϤ⧇āĻ“āρ āϚāĻŋāϤāĻžāĻŦāĻžāϘ⧰ āĻĻ⧰⧇ āĻĻā§ā§°ā§āϤāĻ—āϤāĻŋāϤ āĻĻ⧌⧰āĻŋāĻ›āĻŋāϞāĨ¤)


Ans: S (Simile : āωāĻĒāĻŽāĻž)


(ii) The world is a stage. (āĻĒ⧃āĻĨāĻŋā§ąā§€ āĻāĻ–āύ āĻŽāĻžā§āϚāĨ¤)

Ans: M (Metaphor : ā§°ā§‚āĻĒāĻ•)(iii) The night was as dark as coal. (ā§°āĻžāϤāĻŋāĻŸā§‹ āĻ•āϝāĻŧāϞāĻžā§° āĻĻ⧰⧇ āĻ•'āϞāĻž āφāĻ›āĻŋāϞāĨ¤)

Ans: S (Simile : āωāĻĒāĻŽāĻž)(iv) He sang like an angel. (āϤ⧇āĻ“āρ āĻ¸ā§āĻŦā§°ā§āĻ—āĻĻā§‚āϤ⧰ āĻĻ⧰⧇ āĻ—āĻžāύ āĻ—āĻžāχāĻ›āĻŋāϞāĨ¤)

Ans: S (Simile : āωāĻĒāĻŽāĻž)(v) Her voice was music to his ears. (āϤāĻžāχ⧰ āĻŽāĻžāϤ āϤ⧇āĻ“āρ⧰ āĻ•āĻžāĻŖāϤ āϏāĻ‚āĻ—ā§€āϤ⧰ āĻĻ⧰⧇ āύāĻšāϝāĻŧ, āϏāĻ‚āĻ—ā§€āϤ⧇āχ āφāĻ›āĻŋāϞāĨ¤)

Ans: M (Metaphor : ā§°ā§‚āĻĒāĻ•)

(vi) The classroom was a zoo. (āĻļā§ā§°ā§‡āĻŖā§€āϕ⧋āĻ āĻžāĻŸā§‹ āĻāĻ–āύ āϚāĻŋā§°āĻŋāϝāĻŧāĻžāĻ–āĻžāύāĻž āφāĻ›āĻŋāϞāĨ¤)

Ans: M (Metaphor : ā§°ā§‚āĻĒāĻ•)

(vii) The baby slept like a log. (āĻļāĻŋāĻļ⧁āĻŸā§‹ā§ąā§‡ āĻ•āĻžāĻ ā§° āϗ⧁āĻĄāĻŧāĻŋā§° āĻĻ⧰⧇ āĻ—āϭ⧀⧰āĻ•ā§ˆ āĻļ⧁āχ āφāĻ›āĻŋāϞāĨ¤)

Ans: S (Simile : āωāĻĒāĻŽāĻž)

(viii) Her smile was as bright as the sun. (āϤāĻžāχ⧰ āĻšāĻžāρāĻšāĻŋāĻŸā§‹ āĻ¸ā§‚ā§°ā§āϝ⧰ āĻĻ⧰⧇ āωāĻœā§āĻœā§āĻŦāϞ āφāĻ›āĻŋāϞāĨ¤)

Ans: S (Simile : āωāĻĒāĻŽāĻž)

(ix) The lake was a mirror, reflecting the sky. (āĻšā§ā§°āĻĻāĻŸā§‹ āĻāĻ–āύ āĻĻāĻžāĻĒā§‹āύ āφāĻ›āĻŋāϞ, āϝ'āϤ āφāĻ•āĻžāĻļāĻ–āύ āĻĒā§ā§°āϤāĻŋāĻĢāϞāĻŋāϤ āĻšā§ˆāĻ›āĻŋāϞāĨ¤)

Ans: M (Metaphor : ā§°ā§‚āĻĒāĻ•)

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2. Read the following sentences and transform the similes to metaphors and metaphors to similes. (āϤāϞ⧰ āĻŦāĻžāĻ•ā§āϝāĻŦā§‹ā§° āĻĒāĻĸāĻŧāĻŋ āωāĻĒāĻŽāĻž (Simile) āĻ• ā§°ā§‚āĻĒāĻ• (Metaphor) āφ⧰⧁ ā§°ā§‚āĻĒāĻ• (Metaphor) āĻ• āωāĻĒāĻŽāĻž (Simile) āϞ⧈ āĻĒā§°āĻŋā§ąā§°ā§āϤāύ āϕ⧰āĻžāĨ¤)

(i) Simile → Metaphor



  • Simile (āωāĻĒāĻŽāĻž): Knowledge spreads like the branches of a mighty tree. (āĻœā§āĻžāĻžāύ āĻāĻ–āύ āĻŦāĻŋāĻļāĻžāϞ āĻ—āϛ⧰ āĻĄāĻžāϞ⧰ āĻĻ⧰⧇ āĻŦāĻŋāĻ¸ā§āϤāĻžā§° āϞāĻžāĻ­ āϕ⧰⧇āĨ¤)

  • Metaphor (ā§°ā§‚āĻĒāĻ•): Knowledge is a spreading branch of a mighty tree. (āĻœā§āĻžāĻžāύ āĻāĻ–āύ āĻŦāĻŋāĻļāĻžāϞ āĻ—āϛ⧰ āĻŦāĻŋāĻ¸ā§āϤ⧃āϤ āĻĄāĻžāϞāĨ¤)


(ii) Metaphor → Simile


Metaphor: His courage was a beacon, guiding us through the storm. (āϤ⧇āĻ“āρ⧰ āϏāĻžāĻšāϏ āϧ⧁āĻŽā§āĻšāĻžā§° āĻŽāĻžāĻœā§‡ā§°ā§‡ āφāĻŽāĻžāĻ• āĻĒāĻĨ āĻĻ⧇āϖ⧁āĻ“ā§ąāĻž āĻāϟāĻž āφāϞ⧋āĻ•āĻ¸ā§āϤāĻŽā§āĻ­ āφāĻ›āĻŋāϞāĨ¤)


Simile:



  • His courage was like a beacon guiding us through the storm. (āϤ⧇āĻ“āρ⧰ āϏāĻžāĻšāϏ āϧ⧁āĻŽā§āĻšāĻžā§° āĻŽāĻžāĻœā§‡ā§°ā§‡ āĻĒāĻĨ āĻĻ⧇āϖ⧁āĻ“ā§ąāĻž āφāϞ⧋āĻ•āĻ¸ā§āϤāĻŽā§āĻ­ā§° āĻĻ⧰⧇ āφāĻ›āĻŋāϞāĨ¤)

  • His courage was as bright as a beacon guiding us through the storm. (āϤ⧇āĻ“āρ⧰ āϏāĻžāĻšāϏ āφāϞ⧋āĻ•āĻ¸ā§āϤāĻŽā§āĻ­ā§° āĻĻ⧰⧇ āωāĻœā§āĻœā§āĻŦāϞ āφāĻ›āĻŋāϞāĨ¤)


(iii) Metaphor → Simile


Metaphor: The book was a treasure chest, filled with endless adventures. (ā§°ā§‚āĻĒāĻ•: āĻ•āĻŋāϤāĻžāĻĒāĻ–āύ āĻ…āĻ¨ā§āϤāĻšā§€āύ ā§°ā§‹āĻŽāĻžāĻžā§āĻšā§‡ā§°ā§‡ āĻ­ā§°āĻž āĻāϟāĻž āϧāύ⧰ āĻŦāĻžāĻ•āϚ āφāĻ›āĻŋāϞāĨ¤)


Simile: The book was like a treasure chest, filled with endless adventures. (āωāĻĒāĻŽāĻž: āĻ•āĻŋāϤāĻžāĻĒāĻ–āύ āĻ…āĻ¨ā§āϤāĻšā§€āύ ā§°ā§‹āĻŽāĻžāĻžā§āĻšā§‡ā§°ā§‡ āĻ­ā§°āĻž āϧāύ⧰ āĻŦāĻžāĻ•āϚ⧰ āĻĻ⧰⧇ āφāĻ›āĻŋāϞāĨ¤)


(iv) Metaphor → Simile


Metaphor: Her laughter was a melody that brightened the darkest days. (ā§°ā§‚āĻĒāĻ•: āϤāĻžāχ⧰ āĻšāĻžāρāĻšāĻŋ āĻ…āĻ¨ā§āϧāĻ•āĻžā§° āĻĻāĻŋāύāĻŦā§‹ā§° āωāϜāϞāĻžāχ āϤ⧋āϞāĻž āĻāϟāĻž āϏ⧁⧰ āφāĻ›āĻŋāϞāĨ¤)


Simile: Her laughter was like a melody that brightened the darkest days. (āωāĻĒāĻŽāĻž: āϤāĻžāχ⧰ āĻšāĻžāρāĻšāĻŋ āĻ…āĻ¨ā§āϧāĻ•āĻžā§° āĻĻāĻŋāύāĻŦā§‹ā§° āωāϜāϞāĻžāχ āϤ⧋āϞāĻž āϏ⧁⧰⧰ āĻĻ⧰⧇ āφāĻ›āĻŋāϞāĨ¤)


(v) Simile → Metaphor


Simile: The mountain stood as a guard, watching over the valley below. (āωāĻĒāĻŽāĻž: āĻĒā§°ā§āĻŦāϤāĻŸā§‹ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāĻ–āύāĻ• āĻāϜāύ āĻĒā§ā§°āĻšā§°ā§€ā§° āĻĻ⧰⧇ ā§°āĻ•ā§āώāĻž āϕ⧰āĻŋ āĻĨāĻŋāϝāĻŧ āĻšā§ˆ āφāĻ›āĻŋāϞāĨ¤)


Metaphor: The mountain was a guard, watching over the valley below. (ā§°ā§‚āĻĒāĻ•: āĻĒā§°ā§āĻŦāϤāĻŸā§‹ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāĻ–āύ⧰ āĻāϜāύ āĻĒā§ā§°āĻšā§°ā§€ āφāĻ›āĻŋāϞāĨ¤)


(vi) Simile → Metaphor


Simile: The night was like a velvet cloak, wrapping the world in mystery. (āωāĻĒāĻŽāĻž: ā§°āĻžāϤāĻŋāĻŸā§‹ āĻŽāĻ–āĻŽāϞ⧰ āϚāĻžāĻĻā§°ā§° āĻĻ⧰⧇ āφāĻ›āĻŋāϞ, āϝāĻŋāϝāĻŧ⧇ āĻĒ⧃āĻĨāĻŋā§ąā§€āĻ• ā§°āĻšāĻ¸ā§āϝ⧰⧇ āĻ†ā§ąā§°āĻŋ ā§°āĻžāĻ–āĻŋāĻ›āĻŋāϞāĨ¤)


Metaphor: The night was a velvet cloak, wrapping the world in mystery. (ā§°ā§‚āĻĒāĻ•: ā§°āĻžāϤāĻŋāĻŸā§‹ āĻāĻ–āύ āĻŽāĻ–āĻŽāϞ⧰ āϚāĻžāĻĻā§° āφāĻ›āĻŋāϞ, āϝāĻŋāϝāĻŧ⧇ āĻĒ⧃āĻĨāĻŋā§ąā§€āĻ• ā§°āĻšāĻ¸ā§āϝ⧰⧇ āĻ†ā§ąā§°āĻŋ ā§°āĻžāĻ–āĻŋāĻ›āĻŋāϞāĨ¤)


(vii) Simile → Metaphor


Simile: Her thoughts were like butterflies in a summer meadow. (āωāĻĒāĻŽāĻž: āϤāĻžāχ⧰ āϚāĻŋāĻ¨ā§āϤāĻžāĻŦā§‹ā§° āĻ—ā§ā§°ā§€āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āĻĒāĻĨāĻžā§°ā§° āĻĒā§ā§°āϜāĻžāĻĒāϤāĻŋāĻŦā§‹ā§°ā§° āĻĻ⧰⧇ āφāĻ›āĻŋāϞāĨ¤)


Metaphor: Her thoughts were butterflies in a summer meadow. (ā§°ā§‚āĻĒāĻ•: āϤāĻžāχ⧰ āϚāĻŋāĻ¨ā§āϤāĻžāĻŦā§‹ā§° āĻ—ā§ā§°ā§€āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āĻĒāĻĨāĻžā§°ā§° āĻĒā§ā§°āϜāĻžāĻĒāϤāĻŋāĻŦā§‹ā§° āφāĻ›āĻŋāϞāĨ¤)


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Let Us Think and Reflect (āĻ­āĻžāĻŦāĻž āφ⧰⧁ āφāĻ¤ā§āĻŽ-āϚāĻŋāĻ¨ā§āϤāĻž āϕ⧰āĻž)


I. Read the extracts given below and answer the questions that follow. (I. āϤāϞāϤ āĻĻāĻŋāϝāĻŧāĻž āĻ…āĻ‚āĻļāĻŦā§‹ā§° āĻĒāĻĸāĻŧāĻž āφ⧰⧁ āχāϝāĻŧāĻžā§° āĻĒāĻŋāϛ⧰ āĻĒā§ā§°āĻļā§āύāϏāĻŽā§‚āĻšā§° āωāĻ¤ā§āϤ⧰ āĻĻāĻŋāϝāĻŧāĻžāĨ¤)


He flung himself down in low despair, (āϤ⧇āĻ“āρ āĻ—āϭ⧀⧰ āĻšāϤāĻžāĻļāĻžāϤ āĻŽāĻžāϟāĻŋāϤ āĻŦāĻšāĻŋ āĻĒā§°āĻŋāϞ,)
As grieved as man could be; (āϝāĻŋāĻŽāĻžāύ āĻĻ⧁āĻ–ā§€ āĻš’āĻŦ āĻĒāĻžā§°ā§‡, āϤ⧇āύ⧇āĻ•ā§ˆāϝāĻŧ⧇ āĻĻ⧁āĻ–āϤ āϭ⧁āĻ—āĻŋāĻ›āĻŋāϞāĨ¤)
And after a while he pondered there, (āĻ•āĻŋāϛ⧁ āϏāĻŽāϝāĻŧ āϧ⧰āĻŋ āϤ⧇āĻ“āρ āϚāĻŋāĻ¨ā§āϤāĻž āϕ⧰āĻŋ āĻĨāĻžāĻ•āĻŋāϞ,)
“I’ll give it all up,” said he. (“āĻŽāχ āϏāĻ•āϞ⧋ āĻā§°āĻŋ āĻĻāĻŋāĻŽ,” āϤ⧇āĻ“āρ āĻ•’āϞ⧇āĨ¤)
Now just at that moment a spider dropped, (āĻ āĻŋāĻ• āϏ⧇āχ āĻŽā§āĻšā§‚ā§°ā§āϤāϤ⧇ āĻāĻ–āύ āĻŽāĻžāĻ•āĻĄāĻŧāϏāĻžāχ āύāĻžāĻŽāĻŋ āφāĻšāĻŋāϞ,)
With its silken, filmy clue; (āύāĻŋāϜ⧰ āϕ⧋āĻŽāϞ, ⧰⧇āϚāĻŽā§° āĻĻ⧰⧇ āϏ⧂āĻ•ā§āĻˇā§āĻŽ āϏ⧂āϤāĻžā§° āϏāĻšāĻžāϝāĻŧāϤāĨ¤)


(i) Select the phrase which shows the physical expression of the King's emotional state. ā§°āϜāĻžā§° āĻŽāĻžāύāϏāĻŋāĻ• āĻ…ā§ąāĻ¸ā§āĻĨāĻžā§° āĻļāĻžā§°ā§€ā§°āĻŋāĻ• āĻĒā§ā§°āĻ•āĻžāĻļ āĻĻ⧇āϖ⧁āĻ“ā§ąāĻž āĻŦāĻžāĻ•ā§āϝāĻžāĻ‚āĻļāĻŸā§‹ āĻŦāĻžāĻ›āĻŋ āωāϞāĻŋāϝāĻŧāĻžāĻ“āĨ¤


Ans (āωāĻ¤ā§āϤ⧰): "He flung himself down in low despair." (āϤ⧇āĻ“āρ āĻ—āϭ⧀⧰ āĻšāϤāĻžāĻļāĻžāϤ āĻŦāĻšāĻŋ āĻĒā§°āĻŋāϞāĨ¤)


(ii) Why does the poet use the word 'low' before despair ? āĻ•āĻŦāĻŋāϝāĻŧ⧇ ‘despair’ āĻļāĻŦā§āĻĻā§° āφāĻ—āϤ ‘low’ āĻļāĻŦā§āĻĻāĻŸā§‹ āĻ•āĻŋāϝāĻŧ āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āϕ⧰āĻŋāϛ⧇ ?


Ans (āωāĻ¤ā§āϤ⧰): The poet uses 'low' to show that the King was deeply sad, hopeless, and completely discouraged. (āĻ•āĻŦāĻŋāϝāĻŧ⧇ ‘low’ āĻļāĻŦā§āĻĻāĻŸā§‹ āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āϕ⧰āĻŋāϛ⧇ āϝāĻžāϤ⧇ āĻŦ⧁āϜāĻžāĻŦ āĻĒāĻžā§°ā§‡ āϝ⧇ ā§°āϜāĻž āĻ—āϭ⧀⧰āĻ­āĻžā§ąā§‡ āĻĻ⧁āĻ–ā§€, āϏāĻŽā§āĻĒā§‚ā§°ā§āĻŖ āĻšāϤāĻžāĻļ āφ⧰⧁ āύāĻŋā§°āĻžāĻļ āĻšā§ˆ āĻĒā§°āĻŋāĻ›āĻŋāϞāĨ¤)


(iii) Choose the correct option to complete the sentence. āĻŦāĻžāĻ•ā§āϝāĻŸā§‹ āϏāĻŽā§āĻĒā§‚ā§°ā§āĻŖ āϕ⧰āĻŋāĻŦāϞ⧈ āϏāĻ āĻŋāĻ• āωāĻ¤ā§āϤ⧰ āĻŦāĻžāĻ›āĻŋ āωāϞāĻŋāϝāĻŧāĻžāĻ“āĨ¤


In the line, "And after a while he pondered there", the word 'pondered' means ________. ('And after a while he pondered there' āĻļāĻžā§°ā§€āĻŸā§‹āϤ 'pondered' āĻļāĻŦā§āĻĻā§° āĻ…ā§°ā§āĻĨ āĻšā§ˆāϛ⧇ ________.)


A. paused  B. thought  C. noticed  D. rested


Ans (āωāĻ¤ā§āϤ⧰): B. thought (āĻ—āϭ⧀⧰āĻ­āĻžā§ąā§‡ āϚāĻŋāĻ¨ā§āϤāĻž āϕ⧰āĻŋāϞ⧇)


(iv) Choose the correct option from the words given in the brackets. (āĻŦāĻ¨ā§āϧāύ⧀⧰ āĻ­āĻŋāϤ⧰āϤ āĻĻāĻŋāϝāĻŧāĻž āĻļāĻŦā§āĻĻāϏāĻŽā§‚āĻšā§° āĻĒā§°āĻž āϏāĻ āĻŋāĻ• āωāĻ¤ā§āϤ⧰ āĻŦāĻžāĻ›āĻŋ āĻ˛ā§‹ā§ąāĻžāĨ¤)


The phrase 'silken filmy clue' creates an image of something that is ________. (long and light / very delicate and soft) ['silken filmy clue' āĻŦāĻžāĻ•ā§āϝāĻžāĻ‚āĻļāĻŸā§‹ā§ąā§‡ āĻāύ⧇ āĻāϟāĻž āĻŦāĻ¸ā§āϤ⧁⧰ āĻ›āĻŦāĻŋ āϏ⧃āĻˇā§āϟāĻŋ āϕ⧰⧇ āϝāĻŋāĻŸā§‹ ________.(āĻĻā§€āϘāϞ āφ⧰⧁ āĻĒāĻžāϤāϞ / āĻ…āϤāĻŋ āϕ⧋āĻŽāϞ āφ⧰⧁ āϏ⧂āĻ•ā§āĻˇā§āĻŽ)]


Ans (āωāĻ¤ā§āϤ⧰): very delicate and soft (āĻ…āϤāĻŋ āϕ⧋āĻŽāϞ āφ⧰⧁ āϏ⧂āĻ•ā§āĻˇā§āĻŽ)


2. “...when it toils so hard to reach and cling, And tumbles every time.”
But up the insect went once more, 
Ah me! ‘tis an anxious minute; 
He’s only a foot from his cobweb door, 
Oh say, will he lose or win it ?


(i) Choose the correct option to complete the analogy. (āϏāĻžāĻĻ⧃āĻļā§āϝ (Analogy) āϏāĻŽā§āĻĒā§‚ā§°ā§āĻŖ āϕ⧰āĻŋāĻŦāϞ⧈ āϏāĻ āĻŋāĻ• āωāĻ¤ā§āϤ⧰ āĻŦāĻžāĻ›āĻŋ āĻ˛ā§‹ā§ąāĻžāĨ¤)


toil : hard :: ________ : ________


Options: A. roll : tumble,  B. tumble : circle,  C. compress : roll,  D. jump : tumble


Ans(āωāĻ¤ā§āϤ⧰): D. jump : tumble


(ii) List any two characteristics of the spider highlighted in the line, "But up the insect went once more". ("But up the insect went once more" āĻļāĻžā§°ā§€āĻŸā§‹āϤ āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āϝāĻŋāϕ⧋āύ⧋ āĻĻ⧁āϟāĻž āϗ⧁āĻŖ āϞāĻŋāĻ–āĻžāĨ¤)


Ans (āωāĻ¤ā§āϤ⧰):



  1. Determined (Determination) [ā§§. āĻĻ⧃āĻĸāĻŧ āϏāĻ‚āĻ•āĻ˛ā§āĻĒāĻŦāĻĻā§āϧ]

  2. Persevering / Never gives up [ ⧍. āĻ…āĻ§ā§āĻ¯ā§ąāϏāĻžāϝāĻŧā§€ / āϕ⧇āϤāĻŋāϝāĻŧāĻžāĻ“ āĻšāĻžā§° āύāĻžāĻŽāĻžāύ⧇]


(iii) Choose the correct option to complete the sentence. (āĻŦāĻžāĻ•ā§āϝāĻŸā§‹ āϏāĻŽā§āĻĒā§‚ā§°ā§āĻŖ āϕ⧰āĻŋāĻŦāϞ⧈ āϏāĻ āĻŋāĻ• āωāĻ¤ā§āϤ⧰ āĻŦāĻžāĻ›āĻŋ āĻ˛ā§‹ā§ąāĻžāĨ¤)


The expression "Ah me!" in the extract indicates a sense of ________.(āωāĻĻā§āϧ⧃āϤ āĻ…āĻ‚āĻļāϤ "Ah me!" āĻ…āĻ­āĻŋāĻŦā§āϝāĻ•ā§āϤāĻŋāĻŸā§‹ā§ąā§‡ ________-ā§° āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰⧇āĨ¤)


Options: A. happiness,  B. stress,  C. relief,  D. loneliness


Ans (āωāĻ¤ā§āϤ⧰:): B. stress (āωāĻĻā§āĻŦ⧇āĻ— / āĻ‰ā§ŽāĻ•āĻŖā§āĻ āĻž)


(iv) Complete the sentence with an appropriate reason. (āωāĻĒāϝ⧁āĻ•ā§āϤ āĻ•āĻžā§°āĻŖ āĻĻāĻŋ āĻŦāĻžāĻ•ā§āϝāĻŸā§‹ āϏāĻŽā§āĻĒā§‚ā§°ā§āĻŖ āϕ⧰āĻžāĨ¤)


Readers are able to relate to this extract because ____________. (āĻĒāĻžāĻ āĻ•āϏāĻ•āϞ⧇ āĻāχ āωāĻĻā§āϧ⧃āϤ āĻ…āĻ‚āĻļāĻŸā§‹ā§° āϏ⧈āϤ⧇ āύāĻŋāϜāϕ⧇ āϏāĻŽā§āĻĒā§°ā§āĻ•āĻŋāϤ āϕ⧰āĻŋāĻŦ āĻĒāĻžā§°ā§‡, āĻ•āĻžā§°āĻŖ ____________āĨ¤)


Ans (āωāĻ¤ā§āϤ⧰) : Readers are able to relate to this extract because everyone faces failures and challenges in life, but success comes through patience and repeated effort. (āĻĒāĻžāĻ āĻ•āϏāĻ•āϞ⧇ āĻāχ āĻ…āĻ‚āĻļāĻŸā§‹ā§° āϏ⧈āϤ⧇ āύāĻŋāϜāϕ⧇ āϏāĻŽā§āĻĒā§°ā§āĻ•āĻŋāϤ āϕ⧰āĻŋāĻŦ āĻĒāĻžā§°ā§‡, āĻ•āĻžā§°āĻŖ āĻœā§€ā§ąāύāϤ āϏāĻ•āĻ˛ā§‹ā§ąā§‡āχ āĻŦā§āĻ¯ā§°ā§āĻĨāϤāĻž āφ⧰⧁ āĻŦāĻžāϧāĻžā§° āϏāĻ¨ā§āĻŽā§āĻ–ā§€āύ āĻšāϝāĻŧ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻ§ā§ˆā§°ā§āϝ, āϏāĻžāĻšāϏ āφ⧰⧁ āĻ…āĻŦāĻŋā§°āϤ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋāϞ⧇ āϏāĻĢāϞāϤāĻž āϞāĻžāĻ­ āϕ⧰āĻŋāĻŦ āĻĒāĻžā§°āĻŋāĨ¤)


=========================================


II. Answer the Following Questions


1. How does the first stanza help in setting the mood of the poem ? (āĻĒā§ā§°āĻĨāĻŽ āĻ¸ā§āĻ¤ā§ąāĻ•āĻŸā§‹ā§ąā§‡ āĻ•āĻŦāĻŋāϤāĻžāĻŸā§‹ā§° āĻĒā§°āĻŋā§ąā§‡āĻļ (āĻŽā§āĻĄ) āϕ⧇āύ⧇āĻĻ⧰⧇ āĻ—āĻĸāĻŧāĻŋ āϤ⧋āϞ⧇ ?)


Ans (āωāĻ¤ā§āϤ⧰): The first stanza sets a sad and hopeless mood. It shows that King Bruce is disappointed after repeated failures and has almost lost hope. (āĻĒā§ā§°āĻĨāĻŽ āĻ¸ā§āĻ¤ā§ąāĻ•āĻŸā§‹ā§ąā§‡ āĻĻ⧁āĻ– āφ⧰⧁ āĻšāϤāĻžāĻļāĻžā§° āĻĒā§°āĻŋā§ąā§‡āĻļ āϏ⧃āĻˇā§āϟāĻŋ āϕ⧰⧇āĨ¤ āχāϝāĻŧāĻžāϤ āĻĻ⧇āϖ⧁āĻ“ā§ąāĻž āĻšā§ˆāϛ⧇ āϝ⧇ ā§°āϜāĻž āĻŦā§ā§°ā§āϚ āĻŦāĻžā§°ā§‡ āĻŦāĻžā§°ā§‡ āĻŦā§āĻ¯ā§°ā§āĻĨ āĻšā§‹ā§ąāĻžā§° āĻŦāĻžāĻŦ⧇ āĻĻ⧁āĻ–ā§€ āφ⧰⧁ āĻĒā§ā§°āĻžāϝāĻŧ āφāĻļāĻž āĻā§°āĻŋ āĻĻāĻŋāϛ⧇āĨ¤)


2. Describe how King Bruce’s attitude changes from the beginning towards the end of the poem. (āĻ•āĻŦāĻŋāϤāĻžāĻŸā§‹ā§° āφ⧰āĻŽā§āĻ­āĻŖāĻŋā§° āĻĒā§°āĻž āĻļ⧇āώāϞ⧈āϕ⧇ ā§°āϜāĻž āĻŦā§ā§°ā§āϚ⧰ āĻŽāύ⧋āĻ­āĻžā§ą āϕ⧇āύ⧇āĻ•ā§ˆ āϏāϞāύāĻŋ āĻšāϝāĻŧ ?)


Ans (āωāĻ¤ā§āϤ⧰): At the beginning, King Bruce is sad and ready to give up. After watching the spider's determination, he becomes confident, hopeful, and decides to try again. (āφ⧰āĻŽā§āĻ­āĻŖāĻŋāϤ⧇ ā§°āϜāĻž āĻŦā§ā§°ā§āϚ āĻĻ⧁āĻ–ā§€ āφ⧰⧁ āĻšāϤāĻžāĻļ āĻšā§ˆ āϏāĻ•āϞ⧋ āĻā§°āĻŋ āĻĻāĻŋāĻŦ āĻŦāĻŋāϚāĻžā§°āĻŋāĻ›āĻŋāϞāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āĻ…āĻ§ā§āĻ¯ā§ąāϏāĻžāϝāĻŧ āĻĻ⧇āĻ–āĻŋ āϤ⧇āĻ“āρ āφāĻ¤ā§āĻŽāĻŦāĻŋāĻļā§āĻŦāĻžāϏ⧀, āφāĻļāĻžāĻŦāĻžāĻĻā§€ āĻšā§ˆ āĻĒ⧁āύ⧰ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻžā§° āϏāĻŋāĻĻā§āϧāĻžāĻ¨ā§āϤ āϞāϝāĻŧāĨ¤)


3. The poet describes every action of the spider in great detail. What does this tell us about his attitude towards the spider ? (āĻ•āĻŦāĻŋāϝāĻŧ⧇ āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āĻĒā§ā§°āϤāĻŋāĻŸā§‹ āĻ•āĻžā§°ā§āϝ āĻŦāĻŋāĻļāĻĻāĻ­āĻžā§ąā§‡ āĻŦā§°ā§āĻŖāύāĻž āϕ⧰āĻŋāϛ⧇āĨ¤ āχāϝāĻŧāĻžā§° āĻĒā§°āĻž āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āĻĒā§ā§°āϤāĻŋ āϤ⧇āĻ“āρ⧰ āĻŽāύ⧋āĻ­āĻžā§ą āĻ•āĻŋ āĻŦ⧁āϜāĻž āϝāĻžāϝāĻŧ ?)


Ans (āωāĻ¤ā§āϤ⧰): It shows that the poet admires the spider's patience, courage, determination, and never-give-up attitude. (āχāϝāĻŧāĻžā§° āĻĒā§°āĻž āĻŦ⧁āϜāĻž āϝāĻžāϝāĻŧ āϝ⧇ āĻ•āĻŦāĻŋāϝāĻŧ⧇ āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āĻ§ā§ˆā§°ā§āϝ, āϏāĻžāĻšāϏ, āĻĻ⧃āĻĸāĻŧ āϏāĻ‚āĻ•āĻ˛ā§āĻĒ āφ⧰⧁ āϕ⧇āϤāĻŋāϝāĻŧāĻžāĻ“ āĻšāĻžā§° āύāĻŽāĻžāύāĻž āĻŽāύ⧋āĻ­āĻžā§ąāĻ• āĻ—āϭ⧀⧰āĻ­āĻžā§ąā§‡ āĻĒā§ā§°āĻļāĻ‚āϏāĻž āϕ⧰āĻŋāϛ⧇āĨ¤)


4. How does the spider inspire us to overcome despair and not give up ? āĻŽāϕ⧰āĻžāĻŸā§‹ā§ąā§‡ āφāĻŽāĻžāĻ• āĻšāϤāĻžāĻļāĻž āϜāϝāĻŧ āϕ⧰āĻŋ āϕ⧇āϤāĻŋāϝāĻŧāĻžāĻ“ āĻšāĻžā§° āύāĻžāĻŽāĻžāύāĻŋāĻŦāϞ⧈ āϕ⧇āύ⧇āĻ•ā§ˆ āĻ…āύ⧁āĻĒā§ā§°āĻžāĻŖāĻŋāϤ āϕ⧰⧇ ?


Ans (āωāĻ¤ā§āϤ⧰): The spider keeps trying even after failing many times. It teaches us that patience and continuous effort lead to success. āωāĻ¤ā§āϤ⧰: āĻŽāϕ⧰āĻžāĻŸā§‹ā§ąā§‡ āĻŦāĻšā§ āĻŦāĻžā§° āĻŦā§āĻ¯ā§°ā§āĻĨ āĻšā§‹ā§ąāĻžā§° āĻĒāĻŋāĻ›āϤ⧋ āĻšā§‡āĻˇā§āϟāĻž āĻā§°āĻŋ āύāĻŋāĻĻāĻŋāϝāĻŧ⧇āĨ¤ āχāϝāĻŧāĻžā§° āĻĒā§°āĻž āφāĻŽāĻŋ āĻļāĻŋāϕ⧋āρ āϝ⧇ āĻ§ā§ˆā§°ā§āϝ āφ⧰⧁ āĻ…āĻŦāĻŋā§°āϤ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋāϞ⧇ āĻ…ā§ąāĻļ⧇āώāϤ āϏāĻĢāϞāϤāĻž āϞāĻžāĻ­ āĻšāϝāĻŧāĨ¤


5. The poem teaches us that failures are stepping stones to success. Explain. ‘āĻŦā§āĻ¯ā§°ā§āĻĨāϤāĻž āϏāĻĢāϞāϤāĻžā§° āϏ⧋āĻĒāĻžāύ’—āĻ•āĻŦāĻŋāϤāĻžāĻŸā§‹ā§ąā§‡ āĻāχ āĻļāĻŋāĻ•ā§āώāĻž āϕ⧇āύ⧇āĻ•ā§ˆ āĻĻāĻŋāϝāĻŧ⧇? āĻŦā§āϝāĻžāĻ–ā§āϝāĻž āϕ⧰āĻžāĨ¤


Ans (āωāĻ¤ā§āϤ⧰): The spider fails many times but never gives up and finally succeeds. King Bruce also learns from the spider, tries again, and achieves success. Thus, failures help us learn and become successful. (āĻŽāϕ⧰āĻžāĻŸā§‹ā§ąā§‡ āĻŦāĻšā§ āĻŦāĻžā§° āĻŦā§āĻ¯ā§°ā§āĻĨ āĻš’āϞ⧇āĻ“ āĻšā§‡āĻˇā§āϟāĻž āĻā§°āĻŋ āύāĻŋāĻĻāĻŋāϝāĻŧ⧇ āφ⧰⧁ āĻļ⧇āώāϤ āϏāĻĢāϞ āĻšāϝāĻŧāĨ¤ ā§°āϜāĻž āĻŦā§ā§°ā§āĻšā§‡āĻ“ āχāϝāĻŧāĻžā§° āĻĒā§°āĻž āĻļāĻŋāĻ•ā§āώāĻž āϞ⧈ āĻĒ⧁āύ⧰ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋ āϏāĻĢāϞ āĻšāϝāĻŧāĨ¤ āϏ⧇āϝāĻŧ⧇āĻšā§‡ āĻŦā§āĻ¯ā§°ā§āĻĨāϤāĻžāχ āφāĻŽāĻžāĻ• āĻļāĻŋāĻ•ā§āώāĻž āĻĻāĻŋāϝāĻŧ⧇ āφ⧰⧁ āϏāĻĢāϞāϤāĻžā§° āĻĻāĻŋāĻļāϞ⧈ āφāĻ—ā§ā§ąāĻžāχ āύāĻŋāϝāĻŧ⧇āĨ¤)


6. The spider’s journey tells us that anyone can be a source of inspiration in our lives. Elaborate. āĻŽāϕ⧰āĻžāĻŸā§‹ā§° āϝāĻžāĻ¤ā§ā§°āĻžāχ āφāĻŽāĻžāĻ• āĻļāĻŋāĻ•āĻžāϝāĻŧ āϝ⧇ āϝāĻŋāϕ⧋āύ⧋ āĻŦā§āϝāĻ•ā§āϤāĻŋāϝāĻŧ⧇ āĻŦāĻž āĻœā§€ā§ąāχ āφāĻŽāĻžā§° āĻœā§€ā§ąāύāϤ āĻ…āύ⧁āĻĒā§ā§°ā§‡ā§°āĻŖāĻžā§° āĻ‰ā§ŽāϏ āĻš’āĻŦ āĻĒāĻžā§°ā§‡āĨ¤ āĻŦā§āϝāĻžāĻ–ā§āϝāĻž āϕ⧰āĻžāĨ¤


Ans (āωāĻ¤ā§āϤ⧰): The spider is a tiny insect, yet its determination inspires King Bruce to try again. This teaches us that inspiration can come from anyone or anything if we observe carefully. (āĻŽāϕ⧰āĻžāĻŸā§‹ āϏ⧰⧁ āĻĒā§‹āĻ•āĻž āĻš’āϞ⧇āĻ“ āϤāĻžā§° āĻĻ⧃āĻĸāĻŧ āϏāĻ‚āĻ•āĻ˛ā§āĻĒāχ ā§°āϜāĻž āĻŦā§ā§°ā§āϚāĻ• āĻĒ⧁āύ⧰ āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋāĻŦāϞ⧈ āĻ…āύ⧁āĻĒā§ā§°āĻžāĻŖāĻŋāϤ āϕ⧰āĻŋāĻ›āĻŋāϞāĨ¤ āχāϝāĻŧāĻžā§° āĻĒā§°āĻž āφāĻŽāĻŋ āĻļāĻŋāϕ⧋āρ āϝ⧇ āφāĻŽāĻŋ āϝāĻĻāĻŋ āĻŽāύ⧋āϝ⧋āϗ⧇⧰⧇ āϞāĻ•ā§āĻˇā§āϝ āϕ⧰⧋āρ, āϤ⧇āĻ¨ā§āϤ⧇ āϝāĻŋāϕ⧋āύ⧋ āĻŦā§āϝāĻ•ā§āϤāĻŋ āĻŦāĻž āĻœā§€ā§ąāχ āφāĻŽāĻžā§° āĻœā§€ā§ąāύ⧰ āĻ…āύ⧁āĻĒā§ā§°ā§‡ā§°āĻŖāĻžā§° āĻ‰ā§ŽāϏ āĻš’āĻŦ āĻĒāĻžā§°ā§‡āĨ¤).


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Let Us Learn


I. Write the opposites of the following words taken from the poem. (āĻ•āĻŦāĻŋāϤāĻžāĻŸā§‹ā§° āĻĒā§°āĻž āϤāϞ⧰ āĻļāĻŦā§āĻĻāĻŦā§‹ā§°ā§° āĻŦāĻŋāĻĒā§°ā§€āϤ āĻ…ā§°ā§āĻĨā§° āĻļāĻŦā§āĻĻ āϞāĻŋāĻ–āĻžāĨ¤)



  1. up × down (āĻ“āĻĒā§° × āϤāϞ)

  2. fast × slow (āĻĻā§ā§°ā§āϤ × āϧ⧀⧰ / āϞāĻžāĻšā§‡ āϞāĻžāĻšā§‡)

  3. glad × sad (āϏ⧁āĻ–ā§€ × āĻĻ⧁āĻ–ā§€)

  4. win × lose (āϜāϝāĻŧ āϞāĻžāĻ­ āϕ⧰āĻž × āĻšāĻžā§°āĻŋ āĻ¯ā§‹ā§ąāĻž)

  5. succeed × fail (āϏāĻĢāϞ āĻšā§‹ā§ąāĻž × āĻŦā§āĻ¯ā§°ā§āĻĨ āĻšā§‹ā§ąāĻž)


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II. Choose the correct meaning of the underlined words in the following sentences from the box given below. Frame sentences of your own for these words..(āϤāϞāϤ āĻĻāĻŋāϝāĻŧāĻž āĻŦāĻžāĻ•ā§āϝāĻŦā§‹ā§°āϤ āφāĻŖā§āĻĄāĻžā§°āϞāĻžāχāύ āϕ⧰āĻž āĻļāĻŦā§āĻĻāĻŦā§‹ā§°ā§° āϏāĻ āĻŋāĻ• āĻ…ā§°ā§āĻĨ āϤāϞ⧰ āĻŦāĻžāĻ•āϚ⧰ āĻĒā§°āĻž āĻŦāĻžāĻ›āĻŋ āĻ˛ā§‹ā§ąāĻžāĨ¤ āϤāĻžā§° āĻĒāĻŋāĻ›āϤ āϏ⧇āχ āĻļāĻŦā§āĻĻāĻŦā§‹ā§° āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āϕ⧰āĻŋ āύāĻŋāϜ⧰ āĻāϟāĻž āĻŦāĻžāĻ•ā§āϝ āϞāĻŋāĻ–āĻžāĨ¤)


Meanings

1. work very hard and/or for a long time (āĻ…āϤāĻŋ āĻ•āĻˇā§āϟ āϕ⧰āĻŋ āĻŦāĻž āĻĻā§€āϘāϞ⧀āϝāĻŧāĻž āϏāĻŽāϝāĻŧ āϧ⧰āĻŋ āĻ•āĻžāĻŽ āϕ⧰āĻžāĨ¤)

2. prepared themselves for something difficult (āϕ⧋āύ⧋ āĻ•āĻ āĻŋāύ āĻĒā§°āĻŋāĻ¸ā§āĻĨāĻŋāϤāĻŋ āĻŦāĻž āĻ•āĻžāĻŽā§° āĻŦāĻžāĻŦ⧇ āύāĻŋāϜāϕ⧇ āĻĒā§ā§°āĻ¸ā§āϤ⧁āϤ āϕ⧰āĻžāĨ¤)

3. an attempt to do something new or difficult (āύāϤ⧁āύ āĻŦāĻž āĻ•āĻ āĻŋāύ āĻ•āĻžāĻŽ āϕ⧰āĻŋāĻŦāϞ⧈ āϕ⧰āĻž āĻāϟāĻž āĻšā§‡āĻˇā§āϟāĻž (āĻĒā§ā§°āĻšā§‡āĻˇā§āϟāĻž)āĨ¤)

4. to try very hard to achieve something (āϕ⧋āύ⧋ āϞāĻ•ā§āĻˇā§āϝ āĻŦāĻž āϏāĻĢāϞāϤāĻž āϞāĻžāĻ­ āϕ⧰āĻŋāĻŦāϞ⧈ āĻ•āĻ ā§‹ā§° āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻžāĨ¤)


(i) Please make every endeavour to arrive on time.


Meaning: 3. An attempt to do something new or difficult. (āĻ…ā§°ā§āĻĨ: āϏāĻŽāϝāĻŧāĻŽāϤ⧇ āφāĻšāĻŋāĻŦāϞ⧈ āϏāĻ•āϞ⧋ āϧ⧰āĻŖā§° āĻšā§‡āĻˇā§āϟāĻž (āĻĒā§ā§°āĻšā§‡āĻˇā§āϟāĻž) āϕ⧰āĻžāĨ¤)


(ii) Ants toil tirelessly to save food for rainy season.

Meaning: 1. Work very hard and/or for a long time. (āĻ…ā§°ā§āĻĨ: āĻŦā§°āώ⧁āĻŖā§° āĻ‹āϤ⧁⧰ āĻŦāĻžāĻŦ⧇ āĻ–āĻžāĻĻā§āϝ āϜāĻŽāĻž āϕ⧰āĻŋāĻŦāϞ⧈ āĻĒāĻŋāρāĻĒā§°āĻžāĻŦ⧋⧰⧇ āĻ…āϤāĻŋ āĻ•āĻˇā§āϟ āϕ⧰āĻŋ āĻĻā§€āϘāϞ⧀āϝāĻŧāĻž āϏāĻŽāϝāĻŧ āϧ⧰āĻŋ āĻ•āĻžāĻŽ āϕ⧰⧇āĨ¤)


(iii) We encourage all students to strive to do their best.

Meaning: 4. To try very hard to achieve something. (āĻ…ā§°ā§āĻĨ: āφāĻŽāĻŋ āϏāĻ•āϞ⧋ āĻļāĻŋāĻ•ā§āώāĻžā§°ā§āĻĨā§€āĻ• āύāĻŋāϜ⧰ āĻ¸ā§°ā§āĻŦā§‹āĻ¤ā§āϤāĻŽ āĻĢāϞ āϞāĻžāĻ­ āϕ⧰āĻŋāĻŦāϞ⧈ āĻ•āĻ ā§‹ā§° āĻšā§‡āĻˇā§āϟāĻž āϕ⧰āĻŋāĻŦāϞ⧈ āĻ‰ā§ŽāϏāĻžāĻšāĻŋāϤ āϕ⧰⧋āρāĨ¤)


(iv) The sailors braced themselves against the strong wind.

Meaning: 2. Prepared themselves for something difficult. (āĻ…ā§°ā§āĻĨ: āύāĻžāĻŦāĻŋāĻ•āϏāĻ•āϞ⧇ āĻĒā§ā§°āϚāĻŖā§āĻĄ āĻŦāϤāĻžāĻšā§° āϏāĻ¨ā§āĻŽā§āĻ–ā§€āύ āĻš'āĻŦāϞ⧈ āύāĻŋāϜāϕ⧇ āĻĒā§ā§°āĻ¸ā§āϤ⧁āϤ āϕ⧰āĻŋāϞ⧇āĨ¤)


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III. The poem uses words that show distance.


Q. The poem uses words that show distance. For example: (āĻ•āĻŦāĻŋāϤāĻžāĻŸā§‹āϤ āĻĻā§‚ā§°āĻ¤ā§āĻŦ āĻŦ⧁āĻœā§‹ā§ąāĻž āĻ•āĻŋāϛ⧁āĻŽāĻžāύ āĻļāĻŦā§āĻĻ āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āϕ⧰āĻž āĻšā§ˆāϛ⧇āĨ¤ āϝ⧇āύ⧇ -)



  • a long way up (āĻŦāĻšā§ āĻĻā§‚ā§° āĻ“āĻĒā§°āϞ⧈)

  • inch by inch (āχāĻžā§āϚāĻŋ āχāĻžā§āϚāĻŋāĻ•ā§ˆ)

  • higher and higher (āĻ•ā§ā§°āĻŽā§‡ āĻ…āϧāĻŋāĻ• āĻ“āĻĒā§°āϞ⧈)

  • half-yard higher (āφāϧāĻž āĻ—āϜ āĻ“āĻĒā§°āϞ⧈)


Classify the words or phrases in the box given below based on the distance (Far or Near) and write them in the correct space.-


āϤāϞāϤ āĻĻāĻŋāϝāĻŧāĻž āĻļāĻŦā§āĻĻ āĻŦāĻž āĻŦāĻžāĻ•ā§āϝāĻžāĻ‚āĻļāϏāĻŽā§‚āĻšāĻ• āĻĻā§‚ā§° (Far) āφ⧰⧁ āĻ“āϚ⧰ (Near) āĻ…āύ⧁āϏ⧰āĻŋ āĻļā§ā§°ā§‡āĻŖā§€āĻŦāĻŋāĻ­āĻžāϜāύ āϕ⧰āĻžāĨ¤


Far (āĻĻā§‚ā§°)



  1. remoteness – āĻĻā§‚ā§°ā§ąā§°ā§āϤ⧀ āĻ…ā§ąāĻ¸ā§āĻĨāĻž

  2. light year – āφāϞ⧋āĻ•āĻŦā§°ā§āώ

  3. middle of nowhere – āĻāϕ⧇āĻŦāĻžā§°ā§‡ āĻĻā§ā§°ā§āĻ—āĻŽ āĻ āĻžāχ / āϜāύāĻļā§‚āĻ¨ā§āϝ āĻ¸ā§āĻĨāĻžāύ

  4. yonder – āϏ⧇āχ āĻĻā§‚ā§°āϤ

  5. afar – āĻŦāĻšā§āĻĻā§‚ā§°āϤ

  6. farther – āĻ…āϧāĻŋāĻ• āĻĻā§‚ā§°


Near (āĻ“āϚ⧰)

  1. proximity – āύāĻŋāĻ•āϟāϤāĻž / āĻ“āϚ⧰āϤ āĻĨāĻ•āĻž āĻ…ā§ąāĻ¸ā§āĻĨāĻž

  2. hairline – āĻ…āϤāĻŋ āϏ⧰⧁ āĻĻā§‚ā§°āĻ¤ā§āĻŦ / āϚ⧁āϞāĻŋā§° āϏāĻŽāĻžāύ āĻĢāĻžāρāĻ•

  3. vicinity – āφāĻļ⧇-āĻĒāĻžāĻļ⧇ / āĻ“āϚ⧰⧰ āĻ…āĻžā§āϚāϞ

  4. adjacent – āĻ•āĻžāώ⧰ / āϏāĻ‚āϞāĻ—ā§āύ

  5. a stone's throw – āĻāϕ⧇āĻŦāĻžā§°ā§‡ āĻ“āϚ⧰āϤ / āĻ–ā§‹āϜāĻ•āĻžāĻĸāĻŧāĻŋ āϝāĻžāĻŦ āĻĒā§°āĻž āĻĻā§‚ā§°āĻ¤ā§āĻŦ